Platforms are everywhere and increasingly regulate all aspects of our life. How did we get here? Despite all the talks about Surveillance Capitalism and the rise of Apple and Google, it really started with us sharing pop songs via the internet. Napster was a watershed moment in the development of digital platforms that led eventually to Netflix and the streaming phenomenon in the entertainment industry.
But it didn't stop there. Platforms have introduced a new paradigm into the economy that is utterly different to the capitalist regime we are used to. In this talk Michael Seemann will tell the story of how digital platforms first facilitated the loss of control over information and then changed themselves into an infrastructure of control, thereby making us dependent on their access regimes to almost everything.
There’s a video out there in which an “Obama”, facing straight into the camera, is apparently making some inappropriately juicy comments about his successor. Anyone who’s seen it will know how well it’s made – nothing like the comparatively rudimentary ReFace app. But they’ll also know it’s fake. Deepfake. Deepfakes are a type of AI-generated synthetic media that’s destined to permeate almost every aspect of the audiovisual media that we consume within the next ten years.
The danger that lies behind synthetic media is that it is already among us, but we have not yet developed effective ways of responding to it. As our keynote speaker, Nina Schick, writes in her book “Deepfakes”: “AI was once the exclusive domain of science fiction, but it is now a part of our everyday life. It is getting powerful enough to make people say things they never said and do things they never did. Anyone can be targeted, and everyone can deny everything. In our broken information ecosystem – characterized by misinformation and disinformation – AI and deepfakes are the latest evolving threat.”
From film to social media platform to apps, we use media technologies to connect and communicate, be entertained and have fun. But there is a darker side to this coin — where fake images and deliberately false information create barriers, polarise and divide. This discussion examines how our basic social contract of trust and ethics can be affected by media technologies and their applications.
We live in an age of “surveillance capitalism”: major online retail platforms are massively ramping up their ability to predict what we'll buy and to deliver the goods fast. We're moving from "town centres” to “fulfillment centres”. The surge in global logistics comes with a shift in the skills required by this business model and friendly sales advice is no longer needed. So how can we leverage our individual online persona to consume — and produce — responsibly and ethically? Our panelists take a look at these and other factors influencing what we buy, how, where and why we buy it, and how in the process we ourselves have become an item of value.
The possibilities of Virtual Reality for Future Industries are a much-discussed topic. In this debate, Head of Lab & Tech Assessment at VDC Fellbach, Vitor Macedo, and artist and designer Robin Treier, will present their respective positions on existing and future horizons for Virtual Reality, seen from very different perspectives. This promises to be a lively and visionary discussion.
Get to know different use cases directly from industry and how immersive technologies can help in smart production and smart products to boost business and efficiency.
Experience ...
... a VR-tool that allows to create, share and track training modules in 360° and Virtual Reality,
... a VR-tool to help paint shops of automotive manufacturers to reduce defects,
... a VR-tool that visualises content directly on the product itself.
In the financial services sector, technologies such as blockchain are impacting payment systems, insurance, “green” investments and more. Apps turn your smartphone into an always-on stock trading tool, and let you buy your insurance policies from the remotest places in the world. And what about cryptocurrencies — will they take over from fiat currency (€, $, £, ¥ etc.), and who stands to benefit? In this session, our experts will talk about what the future of finance might look like and how we’re getting there.
Producing green energy needs smart management — energy suppliers need to centralise systems, industry needs to automate, integrate and control processes, while companies need AI-based solutions to reduce energy consumption. And as long as renewable energy is not 100% available, one will need to calculate emissions. This session introduces new ways on how MediaTech-driven solutions are enabling smart energy management for industry.
The discussion around energy is more visible and democratised than ever before. But merely questioning the system isn’t enough. We have to optimise every aspect of the energy supply and demand spectrum, from power generation and new storage technologies to managing end-user consumption. What will the energy cycles of the future look like? Will today’s technologies allow us to tread the planet more lightly?In this session, we examine these and other questions.
Since the start of the pandemic, the scramble to digitalise learning at all levels and migrate it online has pushed this topic to the fore. But in fact, across the spectrum, learning has been undergoing transformation for many years, aided by the development and application of a wide range of technologies. In this session, our experts will illustrate some of these techniques, from individually-tailored training for industry through health-related kinesthesis and technology-driven lifelong learning. Their motto: Stay Curious!
New media technologies are being adapted in order to enhance learning experiences. In this context, it is worth taking a closer look at the potential that comes with XR solutions. In this session, we will give you an overview of where XR technologies are already a commodity — besides the entertainment industry — while three entrepreneurs will tap into their recent projects to highlight how XR can be applied in the context of learning. This session scrutinises the potential of immersive learning journeys and takes a closer look at how XR solutions can be adapted across different industries.
From cave drawings to myths and legends told around the campfire to game world narratives, storytelling has always been central to passing on human knowledge to future generations. But in Serious Games, the learning experience is embedded in interactive, story-driven gameplay. Our closing keynote session looks back on playful learning and its function as probably the least-known, most overlooked secret weapon in our education armoury, while giving us a glimpse into the future of “games with a purpose”.
Film and television productions are incredible exercises in collaboration and cooperation, all facilitated by complex, interconnected workflows. But now it seems that we need to take it to the next level: from direct camera-to-cloud workflows up to the newest tech tools, production processes in Hollywood as well as in Europe must become much faster and more efficient. Will this also push creativity? This session brings two leading experts to share their insights based on real case studies in Film, TV and serial production.
What does the future of film technology mean for German film production? Collaborative pre-production tools, smart data management, AI-driven audience forecasting, metadata workflows and further tech tools have drastically impacted production processes and distribution business models. However, German producers are still often sticking to traditional ways of creating content. What do we need to change in Germany to be a part of — and also shape — the future of media?
Since “Mandalorian” there is a new game changer in film production and we are at the beginning of a new era in studio production as well. Dark Bay, the largest Virtual Production Stage in Europe working directly at Babelsberg Studios, will give in depth insights in how that new technology works. From turnable sets in a LED Volume, over Tracking Systems, Lightning Set Ups to Render Farms – working in a Virtual Production Studio needs complex planning, new skills and a common language for all involved. This session explains how High End Virtual Production works and why it is the “next big thing” in film production.
Virtual production is often framed as an adaptive solution to the challenges posed to film by COVID-19, and as a complex technology only for expensive productions. But virtual production may be the “next big thing” for small and medium-sized studios as well. This session explores how virtual production can be used in daily businesses by small and medium enterprises, and how it serves environmental and financial sustainability goals in the long term. In particular, Tech, Know-how and Workflows will be explored by top researchers and practitioners in the field.
What is the impact of Virtual production on postproduction? How much VFX do we still need? Is Post production turning to Pre-production, and how do the processes change for the best? 2 experts will discuss how far Virtual production and VFX are working together ... or cannibalising each other.
In the history of film and television, product placement has proven itself to be a powerful, lucrative form of embedded marketing. Targeted advertising has further revolutionised marketing in the digital age. But not only AI may take advertising to the next level as leveraging user analytics and metadata is making targeted product placement and in-stream shopping a real possibility. Linking Metadata from Production to Distribution is enabling new ways of monetising content and could be the “next big thing” in business models, especially for platforms. This session discusses the technologies and business options behind the advertising of tomorrow.
With Artificial Intelligence (AI) opening up so many radical possibilities for audiovisual media, how often do we stop and ask ourselves: What do we actually want from AI? This session will explore the need for a mission-oriented AI, backed by ethics, interdisciplinary collaboration and purposeful design, to help us discern between what is merely possible, and the innovations that would make a real difference.
Streaming platforms have been a blessing or a curse for indie and international productions, depending on whom you ask. Between the demand for original content by streaming giants, and the continuing rise of niche streaming platforms on the one hand, and the increasing pressure to optimise stories to fit the algorithmic criteria of streaming platforms on the other, what are the opportunities and challenges that forward-thinking, unconventional filmmakers face in today’s digital media markets?
For any movie to be a success, it must attract an audience. A deep understanding of viewer preferences ensures films give audiences what they want — or at the least, like what they get. Starting with an exploration of the data science of how emotional arcs drive viewer preferences, we will then dive into the inner workings of a powerful universal search engine that leverages AI to connect the right audiences with the right content. Finally, we will close the loop by investigating how talent discovery and financing help match content development with distribution platforms.
In the international race for streaming platforms, Germany is on the losing end. But all is not lost. ARD and ZDF are massively investing into their media libraries, and in the private sector, new on-demand platforms such as Joyn and RTL Now are on the rise. While content continues to play a big role in the battle for the viewers’ attention, the impact of platform technologies can not be ignored. How far is Team Germany? What is the vision, and what are the consequences for producers and film makers?
With the web having turned from a Web of Information to a Web of Content, search & find have become more important than ever. To tackle the problem of finding the right content on platforms providing hundreds of thousands of media items, the presence of high-quality metadata is key. This session discusses this issue from vital points of view.
This session presents and discusses a set of usage scenarios for linked metadata, which have been realised through automation. So far, completely manual processes involved in media production have been automated successfully through the interconnection of decoupled production systems, with a little help by linked metadata. The scenarios cover various parts of the value chain, from script to production, post-production as well as distribution.
Apart from scenarios and business models realised within the dwerft project, high-quality metadata can serve as a key enabler for novel business models and services across various domains.
Away from the start-up epicentre of Berlin, a viral ecosystem is growing up in Potsdam and Brandenburg that offers tech start-ups in particular the best conditions in terms of settlement and funding.
The ecosystem in Potsdam is particularly characterised by the University of Potsdam with the Hasso Plattner Institute and the Film University Babelsberg KONRAD WOLF, which each ranked third in Germany in their respective category in the current Start-up Monitor.
Last but not least, the three universities have closed another gap in 2019 together with the MediaTech Hub Potsdam: They have initiated the first overarching accelerator programme in Brandenburg for early-stage tech start-ups. With 26 teams in its portfolio by now, an investment of more than 12 million euros, a female founder quota of 39% and around 15 teams that have chosen Potsdam as their long-term business location, the MediaTech Hub Accelerator has become a vivid part of the start-up ecosystem in Potsdam and the entire region.
And it's not supposed to stop there. That's why this panel asks: What other visions does Brandenburg have to support young start-ups in growing after they have been founded?
The Hasso Plattner Institute not only stands for excellent digital engineering, but is also considered a pioneer of Design Thinking worldwide. Design thinking helps both young and established companies, institutions, projects and initiatives to launch innovations agilely and effectively in the face of increasing complexity.
Start-ups in particular face major challenges: be it questions about their technical products, their target groups or the optimisation of internal processes. Design thinking provides clarity for the teams in a very compact and fast way. That is why start-ups from the MTH Potsdam network and the Digital Hub Initiative have the opportunity twice a year to take part in an MTH Design Thinking Challenge, which the MTH Accelerator organises together with HPI.
In this case study, HPI Academy Program Lead Samuel Tschepe will briefly introduce the topic of Design Thinking and show how start-ups, but also established companies, can benefit from it. Afterwards, the MTH start-ups nxtbase technologies and Klangchat will report on their individual challenges and how they have systematically developed solutions through the MTH Design Thinking Challenge.
The MTH Design Thinking Challenge is a joint initiative of the Hasso Plattner Institute and the HPI Academy. Funded by the Federal Ministry for Economic Affairs and Energy as part of the Digital Hub Initiative.
From automatically personalised content to text-to-speech – how does the application of artificial intelligence work in local journalism? What opportunities do new technologies bring, what challenges do they entail and how should editorial departments position themselves for the application?
This panel will see us evaluating the current situation of cooperation between man and machine in regional reporting and how this might look in the future.
The issue of disinformation has been particularly relevant in the election year of 2021: 82% of Germans were afraid of attempts to manipulate the Bundestag elections through fake news, according to a Forsa survey this year. To what extent can we counter disinformation with the help of artificial intelligence?
How can a complex topic like artificial intelligence be communicated in a playful and innovative way? Students of European Media Studies, a degree programme at the University of Potsdam and Potsdam's University of Applied Sciences, addressed this question - and collaborated with the Media Innovation Center Babelsberg (MIZ) on developing an AI escape room, the AI.CUBE.
What challenges were literally there in the room, what potential does the project offer and what can be deduced from this for the teaching of media literacy?